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Education
 Researcher,
Theory Department, Jan van Eyck
Academie, Maastricht, Netherlands,
2007–2008
 PhD, Slade School of Fine Art, University College London (Prof. Norman
Bryson), 2004
Graduate studies, Centre for
Drawing Research, Royal College
of Art, London (Prof. Deanna Petherbridge), 1998–2001
MA Advanced Architecture,
University of North London (London Metropolitan)
(Prof. Florian Beigel), 1996
Fine Art Studies: Camberwell School
of Art and Crafts, London; University
of Witwartersrand, Johannesburg;
Bezalel School of Art, Jerusalem;
Ruskin School of Drawing and Fine Art, University
of Oxford, 1984–1986
Teaching (other than occasional
lectures)
 A Model Situation, workshop series, with Marlene Haring, Universität für angewandte Kunst Wien
(University of Applied Arts, Vienna), 2015
Post Pensive
Image, seminar, Jan van Eyck Academie, Maastricht, Netherlands, 2008
Relations
of Representation, seminar, International
Summer School for Art Curators,
Yerevan, Armenia, 2008
Lecturer in theory of architecture:
University of Westminster, London, 1994
Lecturer in architecture: University
of North London (London Metropolitan), 1993–95
Grants and awards (other than for
exhibition production)
Jan van Eyck Academie Research
Stipend, 2007–2008
Arts Council of England Research
Grant, 2005–2006
Josef and Anni Albers Foundation
Research Grant, 2005
Arts and Humanities Research Board
Postgraduate Studentship, 2002–2003
Responsible and/or professional positions
held (other than research and teaching)
The Function Room, London, Co-founder, Director, 2014–
International
Necronautical Society (INS), Chief of Propaganda
(Archiving and Epistemological Critique), 2002–
Vargas Organisation,
London, Director, 1992–
Video as Urban Condition,
Project Director, 2003–09
Austrian
Cultural Forum London, Visual
Arts Co-ordinator, 1999–2004
Selected recent exhibitions,
conferences, lectures,
publications (with links to documentation)
 (forthcoming): Calling All Agents: The Transcripts with the General Secretary’s Report, London: Vargas Organisation, 2016
‘Daučíková, Daučíkov, A., Anna, aka Anča, A4, artist, author’, Prague: Futura/London: EROS Journal, 2016
‘Stone Adversaries: Ruskin’s Rocks, Hejduk’s Diamonds’, Somerset: Drawing Matter, 2016
Nazım Ünal Yılmaz: Hotel Principles, London: Vargas Organisation/The Function Room, 2016
 Enlightenment at Night: Metaphor and Knowledge after the Scientific Revolution, Radical Anthropology Group at University College London, 2016
‘Calling All Agents (2004)’ in Information (Documents of Contemporary Art), ed. by Sarah Cook, London: Whitechapel Gallery/Cambridge MA: The MIT Press, pp. 200–201, 2016
(editor): The Cunt Tavern, London: Vargas Organisation/The Function Room, 2016
 Stone Adversaries: Ruskin’s Rocks, Hejduk’s Diamonds, Architectural Drawings Symposium, Drawing Matter Collections/RIBA Collections/Courtauld Institute of Art, 2016
(editor): Marlene Haring: Letting My Hair Grow, London: Vargas Organisation/The Function Room, 2015
(editor): The Age of Anti-Ageing by Stewart Home and Chris Dorley-Brown, essay by Clare Carolin, London: Vargas Organisation/The Function Room, 2015
Revolution, Repetition and the Cult of Death: the Burials and Empty Tombs of Rosa Luxemburg, Radical Anthropology Group at The Function Room, London, 2015
(editor): Report to an Academy by Marlene Haring, London: Vargas Organisation, 2015
(editor): A Man Called Burroughs: photographs by Harriet Crowder, introduction by Oliver Harris, notes by Jim Pennington, London: Vargas Organisation/The Function Room, 2015
(editor): Scene Book by Anča Daučíková, London: Vargas Organisation, 2014
 4 Works, solo show, The Function Room, London, 2014
(editor): Market Forces: Or Why Despite My Money-Grabbing Change In Career Trajectory It Is Impossible For Me To Sell Out To The Institution of Art by “Stewart Home” PLUS! Andrew Scott-Bolton In Bed with Tracey Emin & Stewart Home EXTRA FREE! Stewart Home’s Hair and Slap Tips by Stewart Home, London: Vargas Organisation, 2014
[Artefacts of/from the Archive of the International Necronautical Society] solo show, The Function Room, London, 2014
Turtle Salon in the Forest, group show curated by Malin Stahl, Sällbacken, Sweden, 2014
..., group show, The Function Room, London, 2014
[International Necronautical Society (INS): Admission Procedure (Einlassverfahren)] Smart New World, group show curated by Elodie Evers and Magdalena Holzhey, Kunsthalle Düsseldorf, 2014
Mosaic (The State of New York) in Streulicht Magazine for Photography, no. 2, Vienna, 2012
‘Aerial Reconnaissance Berlin’ in The Mattering of Matter: Documents from the Archive of the International Necronautical Society, ed. by Leah Whitman-Salkin, Berlin: Sternberg Press, 2012, pp. 248–254
‘Aerial Reconnaissance’ in Invalid Format: An Anthology of Triple Canopy: Volume 1, ed. by Alexander Provan, Sam Frank and Molly Kleiman, New York: Triple Canopy, 2012, pp. 94–97
‘The
Theoretical Eye’, in Journal
of Art Historiography,
no. 5, December 2011
 ‘L’œil théoricien by Hubert
Damisch’, translated from the French with augmented
notes, in Journal of Art Historiography, no. 5, December
2011
‘Mosaic
(The State of New York)’, in Bildpunkt
Zeitschrift der IG Bildende Kunst, Autumn 2011
‘Grapheus
Was Here’, in Drawing a Hypothesis: Figures of Thought, ed.
by Nikolaus Gansterer, Vienna/New York: Springer,
2011, pp. 65–76
‘The
Migrating Monument’, Tom Vandeputte in conversation
with Anthony Auerbach, in Supplement Material,
edited by Caspar Frenken and Tom Vandeputte, Rotterdam/London:
Perhaps (Perhaps), forthcoming 2011
‘Who
is Big Brother? or The Politics of Looking’,
in Dérive Zeitschrift für Stadtforschung,
no. 42,
January 2011
‘Structure Has a Life with Personality’: Art about architecture from the Queens Museum of Art collection, group show, Queens Museum of Art, New York, 2010–2011
‘Letter on Portraiture: Inhabiting the Duration of a Look’,
in Ines Lechleitner, Puzzle Box, Maastrcht: Jan
van Eyck Academie, 2010
Aerial Reconnaissance
Berlin: Dossier submitted in evidence to the
INS Inspectorate,
London: Vargas Organisation/International
Necronautical Society, 2009
‘Marlene
Haring’s Choosing
is Losing’ co-written by Ursula Maria Probst
and Anthony Auerbach , in Photo-ID:
Photographers and Scientists Explore Idenity,
edited by Keith Roberts, Norwich: Norfolk Contemporary
Art Society, 2009, pp. 72–73
‘The Theoretical Eye’,
in Dialogues with Others: A Symposium with Hubert
Damisch, University of Amsterdam, 2009
‘The World is a Cut-Up’,
in Tattered Fragments of the Map, edited by Adam
Katz and Brian Rosa, Los Angeles: The Limits
of Fun, 2009
Photocartographies,
group show curated by Adam Katz and Brian Rosa, g727,
Los Angeles, 2009
‘Walter Benjamin’s
Monadology’, in Design Studies Forum: Benjamin’s
Objects, chaired by Robin Schuldenfrei,
College Art Association Annual Conference,
Los Angeles, 2009
 INS Declaration on
Inauthenticity, mise-en-sène in
collaboration with Laura Hopkins and Tom McCarthy,
Tate Britain, London, 2009
‘Disaster’ (for
Pascal Bircher, ‘740 pm’) in Semaines,
bimestriel pour l'art contemporain, No.
13, Paris, November 2008, pp.
20–25
Tailoring
Alterations (Repairs) and Garment in Re-Construction,
Third Biennial of Young Artists,
group show curated by Ami Barak, Bucharest, 2008
‘I Rode a Gelatin Motorcycle’,
in La Journal [sic], Paris: ARC/Musée d’Art
Moderne de la Ville de Paris,
29 February 2008, p. 25
‘Aerial Reconnaissance’,
International Necronautical Society Briefing hosted
by Triple Canopy, Freddy’s Backroom,
New York,
2008
 Video needs
art history like a TV set needs a plinth,
session chaired by Anthony Auerbach, College Art Association Annual Conference, Dallas, 2008
Empire State
Pavilion, solo show, Queens Museum of Art,
New York, 2008
‘A Box in the Theatre
of the World: Television, Interior and Urban
Experience’, in Architecture and the Technological
Unconscious, Ecole Nationale Superieure d'Architecture
de Paris-La Villette, 2007
‘Imagine no Metaphors:
the dialectical image of Walter Benjamin’,
in Image [&] Narrative [e-journal], special
issue edited by Hanneke Grootenboer, No. 18, September 2007
Prospectus, P.A.R.A.S.I.T.E.
Institute Center and Gallery P74, Ljubljana, 2007
Reading Material,
International Necronautical Society Lecture,
Edinburgh Art Festival, 2007
Voyeurismo,
vigilância
e TV, screening organised
by Eduardo Dejesus in the series
Imagempensamento, Palácio das Artes,
Belo Horizonte, Brazil
Video as Urban Condition, exhibition and colloquia organised by Anthony Auerbach
and Thomas Edlinger, Lentos
Museum of Modern Art, Linz, Austria,
2007
Anthony Auerbach, Raphaele Shirley, two-artist exhibition, Marc de
Puechredon at Scope, New York, 2007
‘Contesting identity
and the meta-praxis of drawing’, in The
Practice of Drawing and the Construction of
Artistic Identity, chaired by Alicia Weisberg-Roberts,
College Art Association Annual Conference, New
York, 2007
‘Structural Constellations
...’ Leonardo Top-rated abstracts, 2nd
and 3rd Quarter 2006, Leonardo Electronic Almanac,
Vol. 15, No. 1, 10
February 2007
The Central
Line: Drawing as Vital Practice, group
show curated by Deanna Petherbridge, PM Gallery & House,
London, 2007
‘How video shapes urban
experience’, in ReConfigurations: Arts, Humanities, and Technology,
Humanities and Technology Association Conference, New York, 2006
Video
Yerevan, Armenian Center for Contemporary
Experimental Art, Yerevan, 2006
‘Video as Urban Condition’,
in Hothaus Papers: Perspectives and Paradigms
in Media Arts, edited by Joan Gibbons and Kaye
Winwood, Birmingham: Vivid/Article Press, 2006, pp.
155-162
Pantheon: Heroes
and Anti-Monuments, group show curated
by Daniel Grún, Galéria Medium,
Bratislava, 2006
‘The encryption of art
history in modernist art education’, in Art History and the Art School:
the Sensibilities of Labour, chaired by Malcolm
Quinn, Association of Art Historians Annual
Conference, University of Leeds, 2006
Video as Urban Condition,
Paço das Artes, São Paolo, Brazil,
2006
‘Interpreting Urban
Screens’, in First Monday,
Special Issue 4, 6 February 2006
A
Day’s Work, solo show, ART2102, Los Angeles,
2005
‘Interpreting Urban
Screens’, in Urban Screens, Institute of
Network Cultures/Stedelijk Museum, Amsterdam,
2005
‘Things. Places. Years.’ (with
German translation by Bettina Steinbrügge),
in Klub Zwei, in Zusammenarbeit
mit, edited by Annette Südbeck, Vienna:
Secession, 2005, pp. 34–39
Curating Degree
Zero Archive, group show, Sparwasser HQ, Berlin,
and tour,
2005
 International
Necronautical Society Inspectorate, Berlin:
Aerial Reconnaissance Phase, Sparwasser HQ,
Berlin,
2005
Video-café, Burundi Media
Art Organisation, Bratislava,
2005
‘I
am not a feminist. I am normal’, organised by Anthony Auerbach and Marlene Haring, Austrian Cultural Forum,
London,
2004
Video
as Urban Condition, Austrian Cultural Forum, London, 2004
‘Things. Places. Years.
a film by Klub Zwei’, in Lasso,
No. 1 Lüneburg: Halle für Kunst/Frankfurt
am Main: Revolver, 2004, pp. 88–92 (German),
151–153 (English)
Calling All
Agents: International Necronautical Society
Broadcasting Unit, Institute of Contemporary
Arts, London,
2004
(editor) Calling
All Agents: Transmission, Death, Technology,
General Secretary’s Report to the International
Necronautical Society by Tom
McCarthy, London: Vargas Organisation, 2003
‘Build Your Own City:
report on the Shanghai Biennial’, in Kulturisse,
Vienna, no. 1, 2003, pp. 32–33
Franz West and
Friends, group show, Austrian Cultural
Forum, London,
2003
International Necronautical
Society Second First Committee Hearings: Transmission,
Death, Technology, Cubitt Gallery, London,
2002
Mons
Veneris: Female Geographies, organised by Anthony Auerbach and Rosa Reitsamer, Austrian Cultural Forum,
London,
2002
(editor) Art
Extraterritorial: Visual Arts
Programme 1999–2002
London: Vargas Organisation,
2002
Art
in Media Space: Museum in Progress, organised
by Anthony Auerbach and Sabine Dreher, Austrian
Cultural Forum, London,
2002
(editor) Navigation
Was Always a Difficult Art, General Secretary’s
Report to the International Necronautical
Society by Tom McCarthy, London: Vargas Organisation,
2002
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